The Art of Pathography

The artists’ creation of a ‘true self-portrait’ is bound up in meanings of self-hood and individuation; by means of his/her practice becoming a method of developing the artists’ need for self-discovery. Through this self-exploration, the artefact becomes an attempt to reveal something of the artist, a therapeutic tool perhaps, by which the photograph is used as a form of depth psychology. A mixed methodology of autoethnography and thematic analysis is undertaken of the language of response – language generated from the viewing of purely visual data – to examine and record patterns or themes within this information that is relevant to the research question. Through this form of removed analysis - the interpretation of the photograph and not the artist - can a new internal world of the artist be revealed? Is there a particular reading that could be universalised or is this unique to me? Or is the analysis a series of projections, a more of an understanding of the readers? The concerns of this thesis are with the ways in which the production of these photographs and their reception can be incorporated into an art practice and a new self-portrait is revealed.

Bibliography














BOOKS


RD-2


Adams, L. S. (1994) Art and Psychoanalysis  
Bettelheim, B. (1975) The Uses of Enchantment: The Meaning and Importance of Fairy Tales (Penguin Psychology)
Bollas, C. (1999) The Shadow of the Object: Psychoanalysis of the Unthought Known
Bright, S. (2010) Auto Focus: The Self-Portrait in Contemporary Photography: The Self Portrait in Contemporary Photography
Cooper, J. Alfille, H.  (2011) A Guide to Assessment for Psychoanalytic Psychotherapists
Creswell, J. W. (2009) Research Design: Qualitative, Quantitative, and Mixed Methods Approaches
Sandler, J. (1988) Projection, Identification, Projective Identification
Laing, R. (1960) The Divided Self: An Existential Study in Sanity and Madness
Pajaczkowska, C. (Editor), Ward,I. (Editor) (2008) Shame and Sexuality: Psychoanalysis and Visual Culture
Rogers.C. R. (1967) On Becoming a Person
Rycroft, C. (1991)The Innocence of Dreams
Styron, W. (2001) Darkness Visible: A Memoir of Madness  
W. M. Hunt, William A. Ewing  (2010) The Unseen Eye: Photographs from the Unconscious
Wright. K. (1991) Vision and Separation: Between Mother and Baby



RD-1

Seamus Heaney (2010) Human Chain Faber and Faber
D.W. Winnicott (1971) Playing and Reality Routledge Classics First Edition (2005)
Kenneth Wright (2009) Mirroring and Attunement Routledge; 1 edition (23 April 2009)
Ellen Handler Spitz (1993) Image and Insight: Essays in Psychoanalysis and the Arts (Psychoanalysis & Culture) Columbia University Press; New Ed edition (9 Sep 1993)
Nicola Glover (2009) Psychoanalytic Aesthetics: The British School Karnac Books (4 Dec 2008)
Alice Rose George, Abigail Heyman, Ethan Hoffman (Editor) (1992) Flesh & Blood: Photographers' Images of Their Own Families Picture Project (Oct 1992)
Marion Milner (1950) On Not Being Able to Paint Routledge; 2nd Edition (23 Sep 2010)
Hannah Segal (1990) Dream, Phantasy and Art (The New Library of Psychoanalysis) Routledge; 1 edition (1 Nov 1990)Bolby Thomas (1988) A Secure Base (Routledge Classics) Routledge; Re-issue edition (1 Sep 2005)Dr. Graeme Sullivan Dr Graeme (2009) Art Practice as Research: Inquiry in Visual Arts Sage Publications, Inc; Second Edition (22 Dec 2009)Jo Spence (1995) Cultural Sniping: The Art of Transgression Routledge; 1 edition (1 Jun 1995)John Berger (1972) Ways of Seeing Penguin Classics (25 Sep 2008)Geoffrey Batchen (1999) Burning with Desire: Conception of Photography MIT Press; New edition (5 May 1999)
Stephen Bull (2009) Photography Routledge; 1 edition (9 Dec 2009)
Peter Fuller (1980) Art and Psychoanalysis The Hogarth Press Ltd; Revised edition (10 Nov 1988)
Hannah Starkey (2009) Photographs 1997-2007 Sage Publications, Inc; Second Edition (22 Dec 2009)
Jo Spenc et al (2005) Beyond the Perfect Image. Photography, Subjectivity, Antagonism Museu d'Art Contemporani de Barcelona
Jo Spence (1986) Putting Myself in the Picture: A Political, Personal and Photographic Autobiography Camden PressLibby Brooks (2006) The Story of Childhood: Growing Up in Modern Britain Bloomsbury Roland Barthes (1980) Camera Lucinda Hill and Wang; Second Edition (May 1, 1982) Vintage (2000)
Susan Sontag (2004) Regarding the Pain of Others Penguin
Susan Sontag (1979) On Photography  Penguin
Tracey Moffatt (2007) Between Dreams and Reality Skira Editore

PAPERS
Terry Dennett  (2009) Jo Spence's camera therapy: personal therapeutic photography as a response to adversity European Journal of Psychotherapy and Counselling  (2009) Volume 11, Issue 1 Routledge

Ulla Halkola  (2009) A photograph as a therapeutic experience European Journal of Psychotherapy and Counselling  (2009) Volume 11, Issue 1 Routledge
Rosy Martin  (2009) Inhabiting the image: photography, therapy and re-enactment phototherapy European Journal of Psychotherapy and Counselling  (2009) Volume 11, Issue 1 Routledge

Mark Wheeler Photo-psycho-praxis (2009) European Journal of Psychotherapy and Counselling  (2009) Volume 11, Issue 1 Routledge

Cristina Nuñez  (2009) The self portrait, a powerful tool for self-therapy European Journal of Psychotherapy and Counselling  (2009) Volume 11, Issue 1 Routledge

Ruth Weber Depression and reparation as themes in Melanie Klein’s analysis of the painter Scand. Psychoanal. Rev. (2004) 27, 34-42
Marie-Christine Press Art and Chaos  University of Westminster
Annette Kuhn (2007) Photography and cultural Memory: a methodological exploration Visual studies Vol.22, No 3 December 2007
Annette Kuhn (2010) Memory texts and memory work: performances of memory in and with visual media Memory Studies OnlineFirst, published on August 2, 2010 as doi:10.1177/1750698010370034
Mark Ingham (20xx) Afterimages: Photographs as an External Autobiographical Memory System and a Contemporary Art Practice PhD Theses
Journal of Visual Art Practice Volume: 7 Issue: 2 issn 1470-2029
John A. Walker (2009) Context as a Determinant of Photographic Meaning
Judy Weiser (2001/2009 ) PhotoTherapy and Therapeutic Photography
Jo Spence and Terry Dennett An Interpretation of Industrialization
Annette Kuhn Memory Studies
Annette Kuhn Memory texts and memory work: performance of memory in and with visual media
Annette Kuhn Photography and cultural memory : a methodological exploration
Peter Wolson The Vital Role of adaptive grandiosity in artistic creativity
Kohut Self Psychology and Art

WEB
Fry Freud and Formalism http:/artcritical.com/fry/htm